![]() When Jones performed the song on The Ed Sullivan Show, in 1968 the censors (unsuccessfully) attempted to insist that the line "At break of day when the man drove away" be changed to "At break of day I was still 'cross the way", as the original version implied he had spent the night with Delilah. He speaks of Delilah in possessive terms, but also refers to himself as her "slave." He asks his dead girlfriend to "forgive" him, but still clearly sees himself as having been wronged by her. The lyrics unfold from the killer's point of view, and are filled with his, often contradictory, emotions. He stabs her to death, and then waits for the police to come break down the door and arrest him. He waits outside all night, and then confronts her in the morning, only to have her laugh in his face. ![]() The song tells the story of a man who passes his girlfriend's window and sees her inside making love to another man. There are similarities to the plot of the opera Carmen by French composer Georges Bizet, in which the soldier, Don José, stabs gypsy girl, Carmen, to death when she tells him she is leaving him for another man. Flamenco was a surprising choice, since there is no reference to Spain anywhere in the song. Produced by Peter Sullivan, Jones' version features a big-band accompaniment set to a flamenco rhythm. Music and lyrics Īlthough the song is a soulful number set in triple metre, the underlying genre may be considered to be a power ballad, rising to a pitch of A4 on the final note. It earned Reed and Mason the 1968 Ivor Novello award for Best Song Musically and Lyrically. The lyrics were written by Barry Mason, and the music by Les Reed, who also contributed the title and theme of the song. " Delilah" is a song recorded by Welsh singer Tom Jones in December 1967.
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